Kellys’ career started in publishing in the early 90s and in television in London from 1995. On returning to New Zealand in the 2000’s, Kelly worked on Onfilm magazine (New Zealand’s only Screen Industry magazine) for 13 years. Over this time, Kelly connected with all sides of the sector on and off set, from funders to crew to Screen Sector businesses, and solidified relationships sector-wide. Kelly has worked in NZ as BDM/Producer in the Television commercial market and the Event Manager for the NZ Cinematographer Society annual awards from 2016 to 2019. In April 2019, Kelly joined the Screen Industry Guild and ScreenSafe as their Executive Officer. Kelly has a lot of passion for Health, Safety, and well-being for all members of the Screen Sector and is working on a review of the ScreenSafe organisation looking at the future of Health, Safety, and well-being in the Screen Sector while supporting all crew daily in her role as EO for the Screen Industry Guild.

Christian has been a member of the Screen Guild for more than 10 years, and the Auckland Chair of the Guild since 2020. From 2012 through to 2021 Christian was a Digital Imaging Technician on local and international projects, working on everything from low-budget short films right up to high-end series and features. He is now the General Manager of Crewlist, New Zealand's largest filmmaking network and screen jobs platform.

I have been in the industry since 1986 when I started at the National Film Unit. I predominantly work in lighting as a gaffer but being a qualified electrician I am happy to work in other depts that require my knowledge. My proudest moments are seeing those who I have been able to train or have had work with me succeed in this industry. My time in the industry and seeing it change and being part of that change is what I bring to the executive.

Riki has over 20 years of experience in film and television, with a career spanning Editing, VFX Compositing, and VFX Supervision. He has worked on a wide range of productions, both internationally and locally, contributing his technical and creative expertise to ensure the success of these projects. Riki joined the New Zealand Screen Guild to represent a voice for onset crew members, bringing his deep understanding of the industry’s demands to advocate for their needs. His leadership aims to support the growth and innovation of the local screen sector while championing the interests of the crew at the heart of every production.

I have been working in the industry for 10 years mostly in the production department as a coordinator or manager. I've recently been enjoying forays into locations and transport as a coordinator - I still can't drive a manual though, much to the frustration of those departments! I love being a part of the Guild as I believe in being the change you want to see. All crew have a right to safe and fair working environments which the Guild is always tirelessly working away on in the background. As part of my role on the exec committee, I hope to be able to contribute a practical and production perspective to conversations. And also represent crew who are newer to the industry.

In the early 2000s I was part of Wellington’s humming broadcast scene as an OB technician and camera operator. I migrated toward scripted mahi as the TV industry drifted north, and for many years was a Video Engineer for Mocap and Virtual Production projects, working on sets in many different corners of the world. In 2020, Brendan Dee and I launched toothfish.co.nz. We specialise in Video, DIT, Data, Dailies and Workflow solutions. As well as the Screen Guild, I am a member of VFXG, PASC, PISA and I am trustee and treasurer for the charity Better Public Media Inc.

I have been told I have been in the industry for 12year +, I guess time feels a little different in our industry. During this time I have had the privilege to work with many of my fellow "Soundies", and I am proud to be one of the many high quality film technicians here in Aotearoa. My greatest achievements have always been: being part of a collective, whether that is within the Sound Department or through collaboration with others. The creative problem solving and team work is what keeps me coming back. United, we'll continue to support the industry we love.

Having been in the industry for 10 years now in both camera and lighting departments, Zac is wholly entrenched in the small film renaissance that Christchurch is seeing at the moment. The role of Branch Chair in the Canterbury region is an important one at this stage, the crew base expanding and up-skilling and the resources and infrastructure growing with each production, crew and industry support at this time of expansion is crucial. Zac is pleased to be involved in setting the tone, ethos and level of professionalism of the Canterbury region for incoming productions.

I started in the world of Film Safety in 2002, after working for 20 years in Outdoor Tourism Industry in Queenstown as a Mountain Guide, Ski Patroller, Avalanche Forecaster, Rafting Guide, and Adventure racing Safety Coordinator on the Southern Traverse and Godzone. I love the variety of work and places that the film lifestyle gives you in the South Island albeit sometimes with long breaks and sometime massive double ups of jobs.... The role of Queenstown Chair is one of mediation between all sorts of personalities within our film community. Dealing with small issues and sometimes rather sensitive ones. Luckily like all communities, there is plenty of experience and support to draw on from a very established and active film community in Queenstown and a proactive Executive Committee within The Screen Guild.

Hi – I am a film technician based in Queenstown. I’ve been working in the Film and TV industry for over 25 years, starting as a runner and working my way up to through the ranks. These days, I mainly work as a Production Manager. The majority of my work is on TVC’s, Feature Films, and reality shows, with some sideline work on Adventure Races. My special skill is organising logistics, and my favourite job is working as a helicopter Aerial Coordinator. The best part of my job is working with talented people and filming in beautiful places. One of my most memorable experiences was spending a month in the mountains at Aoraki Mt Cook for a project in mid-2025. It was really special work, in an area that not many New Zealanders get to access (and to see stunning sunsets every night coming home from location by helicopter!) My role in the Screen Guild Exec Committee enables me to help provide a voice for local industry – we are much loved for our locations but it’s hard to sustain a feasible industry on location shoots only. I’d love to see the Southern Lakes area develop a stronger film industry with more long-term projects. That way, we can train and mentor local technicians, use our talented people, equipment, and beautiful locations even more.

Annette is a dedicated and detail-oriented asset to The Screen Guild team with over 40 years' experience in financial management and reporting, 20 years in the film and television stunt industry. She is adept at analysing data and providing strategic recommendations to improve financial performance. Skilled in budgeting with proficiency in accounting software Xero. Excellent communicator with a proven track record of building strong relationships with clients and colleagues. Annette's past experience includes : Film & Television Industry Stuntwoman/Stunt Department Co-Ordinator 1993 - 2014 Executed high-risk stunts. Collaborated with HOD and coordinators to plan and rehearse stunts sequences. Coordinated and managed the stunt departments 80 stunt personnel daily. 

Tyrone has been a member of the Screen Guild for over 10 years. As owner of Protel International Technologies for the last 16 years, he has been supplying Audio and Video products to the New Zealand Film, Broadcast and Education sectors. Tyrone has been Treasurer for the last 7 years.