


Techosphere
Changing the Rules: the Devil in the Detail

Techosphere
Changing the Rules: the Devil in the Detail
Exploring the challenges of freelancing in the screen industry and the future of fair pay agreements.
gig economy, freelancing, screen industry, contractors, employment law, Hobbit Law, Labour Party, fair pay agreements, collective bargaining, Screen Industry Guild, union, government policy, flexible work, employment rights, Kiwi workers, employment entitlements, fair pay, industry negotiations, film productions, minimum wage, freelancers’ rights, industry reform.
Exploring the challenges of freelancing in the screen industry and the future of fair pay agreements.


Techosphere
The Voice of New Zealand Crews

Techosphere
The Voice of New Zealand Crews
A guide to understanding the structure, roles, and responsibilities within the Screen Industry Guild.
Screen Industry Guild, governance, Blue Book, ScreenSafe, New Zealand crews, professional standards, union, branch committees, national executive, guild members, membership, ethical standards, safe work practices, media engagement, NZTECHO, feedback, surveys, networking, educational events, member benefits, branch meetings, AGM, advocacy, immigration, visa letters, crew representation, production support, guild objectives, industry cooperation.
A guide to understanding the structure, roles, and responsibilities within the Screen Industry Guild.


Feature
Waving Goodbye to Film

Feature
Waving Goodbye to Film
Peter Parnham reflects on the ongoing film-to-digital transition and its impact on filmmaking technology and budgets.
digital cameras, film cameras, Avid, non-linear editing, 35mm film, Alexa camera, 4K, 48 frames per second, film vs digital, Canon 5D, DSLR cameras, Sony F65, digital cinema, filmmaking technology, low-budget films, digital projection, feature films, filmmaking economics, cinematography, Paul Swadel, Blue Harvest Shorts, film festivals, production costs, digital cinema package.
Peter Parnham reflects on the ongoing film-to-digital transition and its impact on filmmaking technology and budgets.


Profile
Reverse Art Directing

Profile
Reverse Art Directing
Oscar-winning art director Kim Sinclair discusses his role in Avatar and the rise of virtual production in films like Tintin.
Kim Sinclair, Avatar, BAFTA, Oscar, virtual production, VFX, 3D film, pre-visualization, performance capture, Tintin, digital sets, virtual camera, art direction, stereoscopic filming, motion capture, performance capture, 3D technology, New Zealand film industry, virtual pipeline, pre-viz, traditional production, special effects, set design.
Oscar-winning art director Kim Sinclair discusses his role in Avatar and the rise of virtual production in films like Tintin.
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